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Aasgaardstrand by Edvard Munch

Aasgaardstrand

Edvard Munch·1904

Historical Context

Edvard Munch's 'Aasgaardstrand' (1904) is a broader view of the coastal village — looking at the village from the sea or from its environs rather than from within the garden, this view depicted the village's relationship to the fjord landscape that gave it its distinctive character. His multiple depictions of Åsgårdstrand from different vantage points created a comprehensive visual documentation of the place that was most important to his summer life.

Technical Analysis

Munch renders the Åsgårdstrand village with his characteristic directness — the settlement's specific character (its wooden houses, its relationship to the fjord, and the quality of the coastal light) depicted with his loose, expressive handling. His palette in these coastal Norwegian subjects tends toward the warm greens, blues, and ochres of the Norwegian summer fjord landscape. The composition's specific vantage point creates a different spatial relationship to the village than his garden subjects.

See It In Person

Wadsworth Atheneum Museum of Art

Hartford, United States

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Quick Facts

Medium
Oil on canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Cityscape
Location
Wadsworth Atheneum Museum of Art, Hartford
View on museum website →

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Standing Female Nude by Edvard Munch

Standing Female Nude

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From Karl Johan by Edvard Munch

From Karl Johan

Edvard Munch·1889

More from the Post-Impressionism Period

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Gardener (Le Jardinier) by Paul Cézanne

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