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Jørgen Sørensen by Edvard Munch

Jørgen Sørensen

Edvard Munch·1885

Historical Context

Jørgen Sørensen of 1885, in the National Museum of Art, Architecture and Design in Oslo, is another portrait from the early professional commissions that occupied Munch alongside his academic training in the mid-1880s. Sørensen was a member of the Norwegian professional class, and the commission provided income for the young artist while testing his abilities as a conventional portraitist. The painting illustrates the divide between Munch's training obligations and the artistic direction he was already gravitating toward, visible in the slightly looser handling of certain passages compared to more formally constrained portrait subjects of the same year.

Technical Analysis

The portrait maintains the correct professional tone of a commissioned likeness with a controlled palette of dark coat, pale face, and neutral ground. Minor variations in the handling of the collar and background area suggest Munch testing the boundaries of the commission's implied expectations for formal and flattering finish.

See It In Person

National Museum of Art, Architecture and Design

Oslo, Norway

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Portrait
Location
National Museum of Art, Architecture and Design, Oslo
View on museum website →

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Veierland near Tønsberg

Edvard Munch·1887

Standing Female Nude by Edvard Munch

Standing Female Nude

Edvard Munch·1887

From Karl Johan by Edvard Munch

From Karl Johan

Edvard Munch·1889

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