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Two Nudes by Edvard Munch

Two Nudes

Edvard Munch·1903

Historical Context

Two Nudes from 1903 belongs to Munch's practice of depicting the female nude in a studio or interior context, here presenting two figures whose relationship to each other introduces a social and psychological dimension absent from his single-figure nudes. The double nude — two women whose bodies and spatial relationship imply a complex dynamic of companionship, comparison, or tension — had precedents in the academic tradition of the paired graces but carries in Munch's hands the psychological intensity of his sustained engagement with female subjectivity. The National Museum of Art, Architecture and Design in Oslo holds this as part of Norway's national Munch collection.

Technical Analysis

Munch places the two nude figures in a composition that balances their different poses and physical qualities against each other, using the contrast between the figures as the primary compositional element. The interior setting is kept minimal, focusing all attention on the relationship between the two bodies.

See It In Person

National Museum of Art, Architecture and Design

Oslo, Norway

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Post-Impressionism
Style
Post-Impressionism
Genre
Nude
Location
National Museum of Art, Architecture and Design, Oslo
View on museum website →

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Veierland near Tønsberg by Edvard Munch

Veierland near Tønsberg

Edvard Munch·1887

Standing Female Nude by Edvard Munch

Standing Female Nude

Edvard Munch·1887

From Karl Johan by Edvard Munch

From Karl Johan

Edvard Munch·1889

More from the Post-Impressionism Period

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Rocks and Trees (Rochers et arbres)

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Fruit on a Table (Fruits sur la table) by Paul Cézanne

Fruit on a Table (Fruits sur la table)

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Gardener (Le Jardinier) by Paul Cézanne

Gardener (Le Jardinier)

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