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Vue des côtes normandes by Richard Parkes Bonington

Vue des côtes normandes

Richard Parkes Bonington·1823

Historical Context

Vue des côtes normandes from 1823 is one of Bonington's early Norman coastal views, now in the Louvre. These paintings established his reputation in Paris, where his luminous marine scenes were admired for their freshness and truth to atmospheric conditions along the Channel coast. Bonington's technique in watercolor and oil was notably fresh and spontaneous, capturing light and atmosphere with a directness that anticipated the Impressionists; Delacroix called him 'the master of lightness and ac

Technical Analysis

The transparent, watercolor-like handling of oil paint creates a luminous effect unique to Bonington, with the coastal atmosphere rendered through subtle gradations of tone and color.

See It In Person

Department of Paintings of the Louvre

Paris, France

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
46.5 × 38.5 cm
Era
Romanticism
Style
British Romanticism
Genre
Marine
Location
Department of Paintings of the Louvre, Paris
View on museum website →

More by Richard Parkes Bonington

View on the Grounds of a Villa near Florence by Richard Parkes Bonington

View on the Grounds of a Villa near Florence

Richard Parkes Bonington·1826

Roadside Halt by Richard Parkes Bonington

Roadside Halt

Richard Parkes Bonington·1826

View near Rouen by Richard Parkes Bonington

View near Rouen

Richard Parkes Bonington·ca. 1825

The Doge's Palace, Venice by Richard Parkes Bonington

The Doge's Palace, Venice

Richard Parkes Bonington·1826

More from the Romanticism Period

The Fountain at Grottaferrata by Adrian Ludwig (Ludwig) Richter

The Fountain at Grottaferrata

Adrian Ludwig (Ludwig) Richter·1832

Dante's Bark by Eugène Delacroix

Dante's Bark

Eugène Delacroix·c. 1840–60

Shipwreck by Jean-Baptiste Isabey

Shipwreck

Jean-Baptiste Isabey·19th century

Portrait of Emmanuel Rio by Albert Schindler

Portrait of Emmanuel Rio

Albert Schindler·1836