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Broken Eggs by Jean-Baptiste Greuze

Broken Eggs

Jean-Baptiste Greuze·1756

Historical Context

Greuze painted Broken Eggs around 1756, an early genre work that established his characteristic combination of apparently innocent domestic subjects with implicit moral content. The broken eggs — scattered across the floor by some apparent domestic accident — carry the standard symbolic meaning of lost virginity or innocence that Greuze would develop more explicitly in later works. The young woman's expression and the older woman's reaction create a scene of domestic moral drama whose surface innocence barely conceals the sexual allegory beneath. The work demonstrates Greuze's early mastery of the ambiguous genre scene in which the moral message is present but requires the viewer's complicity in its decoding.

Technical Analysis

Greuze renders the domestic scene with warm, naturalistic lighting and careful attention to the textures of kitchen utensils and foodstuffs. The young woman's expression of dismay and the old woman's knowing look create a subtle narrative tension.

See It In Person

Metropolitan Museum of Art

New York, United States

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Quick Facts

Medium
Oil paint
Dimensions
73 × 94 cm
Era
Rococo
Style
French Rococo
Genre
Mythology
Location
Metropolitan Museum of Art, New York
View on museum website →

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Head of a Young Woman by Jean-Baptiste Greuze

Head of a Young Woman

Jean-Baptiste Greuze·possibly 1780s

Study of a Woman’s Head by Jean-Baptiste Greuze

Study of a Woman’s Head

Jean-Baptiste Greuze·ca. 1780

Princess Varvara Nikolaevna Gagarina (1762–1802) by Jean-Baptiste Greuze

Princess Varvara Nikolaevna Gagarina (1762–1802)

Jean-Baptiste Greuze·ca. 1780–82

Madame Jean-Baptiste Nicolet (Anne Antoinette Desmoulins, 1743–1817) by Jean-Baptiste Greuze

Madame Jean-Baptiste Nicolet (Anne Antoinette Desmoulins, 1743–1817)

Jean-Baptiste Greuze·late 1780s

More from the Rococo Period

Annunciation to the Shepherds by Jacopo Bassano

Annunciation to the Shepherds

Jacopo Bassano·c. 1710

The Madonna with the Seven Founders of the Servite Order by Agostino Masucci

The Madonna with the Seven Founders of the Servite Order

Agostino Masucci·c. 1728

Theodosius Repulsed from the Church by Saint Ambrose by Alessandro Magnasco

Theodosius Repulsed from the Church by Saint Ambrose

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Arcadian Landscape with Figures

Alessandro Magnasco·c. 1700