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Madame Grand (Noël Catherine Verlée, 1761–1835) by Élisabeth Louise Vigée Le Brun

Madame Grand (Noël Catherine Verlée, 1761–1835)

Élisabeth Louise Vigée Le Brun·1783

Historical Context

Vigée Le Brun painted Madame Grand around 1783, depicting the courtesan Noël Catherine Verlée — later Madame de Talleyrand — in one of her most elegant and technically accomplished portrait compositions. Grand was one of the most celebrated beauties of pre-Revolutionary Paris, and Vigée Le Brun's portrait captures the luminous complexion and confident bearing that had made her reputation. The work's technical brilliance — the warm skin tones, the delicate rendering of the white dress against the warm background, the intelligent gaze — demonstrates the qualities that made Vigée Le Brun the most sought-after portraitist of Ancien Régime female beauty.

Technical Analysis

Vigée Le Brun employs her signature luminous technique, with pearly skin tones set off by masses of powdered blonde hair. The softly modeled features and warm lighting create an image of idealized beauty that established the artist's international reputation.

See It In Person

Metropolitan Museum of Art

New York, United States

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
92 × 72 cm
Era
Neoclassicism
Style
French Neoclassicism
Genre
Portrait
Location
Metropolitan Museum of Art, New York
View on museum website →

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Madame d'Aguesseau de Fresnes by Élisabeth-Louise Vigée Le Brun

Madame d'Aguesseau de Fresnes

Élisabeth-Louise Vigée Le Brun·1789

The Marquise de Pezay, and the Marquise de Rougé with Her Sons Alexis and Adrien by Élisabeth-Louise Vigée Le Brun

The Marquise de Pezay, and the Marquise de Rougé with Her Sons Alexis and Adrien

Élisabeth-Louise Vigée Le Brun·1787

Madame du Barry by Élisabeth Louise Vigée Le Brun

Madame du Barry

Élisabeth Louise Vigée Le Brun·1782

Marie Antoinette with a Rose by Élisabeth Louise Vigée Le Brun

Marie Antoinette with a Rose

Élisabeth Louise Vigée Le Brun·1783

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View on the River Roseau, Dominica

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