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The Adoration of the Magi by Quinten Metsys

The Adoration of the Magi

Quinten Metsys·1526

Historical Context

Quinten Metsys painted this Adoration of the Magi around 1526, one of his late treatments of this popular devotional subject that combined narrative richness with private piety. Metsys's Adoration compositions are notable for their combination of formal grandeur—the kings' procession and gifts, the architectural setting—with the intimate devotional focus on the holy family. By this point in his career Metsys had fully developed his synthesis of Flemish tradition and Italian Renaissance influence, his figures carefully modeled with attention to both surface detail and psychological depth. The Antwerp market for Adoration altarpieces was enormous, and Metsys's versions represented some of the finest productions available to demanding collectors who wanted quality rather than the decorative exuberance of the Antwerp Mannerist workshops.

Technical Analysis

The panel shows Metsys' mature technique with the refined modeling, rich tonal depth, and the blend of Netherlandish precision with Leonardesque atmospheric effects that characterize his late work.

See It In Person

Metropolitan Museum of Art

New York, United States

Visit museum website →

Quick Facts

Medium
Oil on panel
Dimensions
103 × 80 cm
Era
High Renaissance
Style
Northern Renaissance
Genre
Religious
Location
Metropolitan Museum of Art, New York
View on museum website →

More by Quinten Metsys

Virgin and Child with Saints Barbara and Catherine by Quinten Metsys

Virgin and Child with Saints Barbara and Catherine

Quinten Metsys·1520

The Virgin and Child by Quinten Metsys

The Virgin and Child

Quinten Metsys·1520

Altarpiece of the Guild of the Joiners by Quinten Metsys

Altarpiece of the Guild of the Joiners

Quinten Metsys·1511

The Lamentation over the Dead Christ by Quinten Metsys

The Lamentation over the Dead Christ

Quinten Metsys·1511

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Virgin and Child with the Young Saint John the Baptist by Antonio da Correggio

Virgin and Child with the Young Saint John the Baptist

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