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Madame Jacques-Louis-Étienne Reizet (Colette-Désirée-Thérèse Godefroy, 1782–1850) by Anne-Louis Girodet

Madame Jacques-Louis-Étienne Reizet (Colette-Désirée-Thérèse Godefroy, 1782–1850)

Anne-Louis Girodet·1823

Historical Context

Anne-Louis Girodet's portrait of Madame Reizet of 1823, one of his late works, depicts a fashionable young woman of the Restoration period with the refined elegance that characterized Girodet's portraiture throughout his career. The portrait demonstrates his continued mastery of female portraiture in his final years, combining precise draftsmanship with the warm coloring he had developed through decades of practice. Girodet was one of the most technically versatile painters of his generation, moving between literary subjects, mythological compositions, and social portraits with equal facility.

Technical Analysis

Girodet renders the sitter with refined elegance and smooth modeling characteristic of the Neoclassical portrait tradition. The careful attention to the fabric of her dress and the soft lighting create an image of quiet dignity.

See It In Person

Metropolitan Museum of Art

New York, United States

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
60.3 × 49.5 cm
Era
Neoclassicism
Style
French Neoclassicism
Genre
Portrait
Location
Metropolitan Museum of Art, New York
View on museum website →

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Mademoiselle Lange as Venus by Anne-Louis Girodet

Mademoiselle Lange as Venus

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Jean-Baptiste Belley, member of the National Convention by Anne-Louis Girodet

Jean-Baptiste Belley, member of the National Convention

Anne-Louis Girodet·1797

Coriolanus Taking Leave of his Family by Anne-Louis Girodet

Coriolanus Taking Leave of his Family

Anne-Louis Girodet·1786

The Death of Tatius by Anne-Louis Girodet

The Death of Tatius

Anne-Louis Girodet·1788

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