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Virgin and Child by Ercole de' Roberti

Virgin and Child

Ercole de' Roberti·1493

Historical Context

Virgin and Child, at the Art Institute of Chicago, is a late work by Ercole de' Roberti from around 1493 that shows the Ferrarese painter adapting the standard devotional format to his own angular, emotionally searching style. The Art Institute's Italian collection contains several important Early Renaissance works, and the Roberti Virgin and Child represents the distinctive contribution of the Ferrara school to a subject dominated in memory by Florentine and Venetian versions. Roberti's death around 1496 cut short a career that had been producing increasingly intense and individualistic work.

Technical Analysis

The Virgin and Child are depicted in a three-quarter bust format against a plain ground, the emotional intensity of Roberti's approach evident in the tense, searching quality of the Virgin's expression. His characteristically sharp, precise contour defines the forms against a dark ground, the flesh modeling moving between sculptural clarity and a more atmospheric softness influenced by his exposure to Venetian painting.

See It In Person

Art Institute of Chicago

Chicago, United States

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Quick Facts

Medium
Tempera on panel
Dimensions
52 × 35 cm
Era
High Renaissance
Style
High Renaissance
Genre
Religious
Location
Art Institute of Chicago, Chicago
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Virgin and Child by Ercole de'Roberti

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Ercole de'Roberti·1490–96

Giovanni II Bentivoglio by Ercole de' Roberti

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Ercole de' Roberti·c. 1474/1477

Ginevra Bentivoglio by Ercole de' Roberti

Ginevra Bentivoglio

Ercole de' Roberti·c. 1474/1477

The Wife of Hasdrubal and Her Children by Ercole de' Roberti

The Wife of Hasdrubal and Her Children

Ercole de' Roberti·c. 1490/1493

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