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The burning of a heretic by Sassetta

The burning of a heretic

Sassetta·1423

Historical Context

Sassetta's Burning of a Heretic, painted around 1423, depicts a scene of judicial execution that reflects the intersection of religious orthodoxy and civic authority in fifteenth-century Siena. The burning of heretics was both a public spectacle and a demonstration of the Church's power to enforce doctrinal conformity. Sassetta — Stefano di Giovanni — was the dominant painter in Siena during the first half of the fifteenth century, maintaining the city's Gothic tradition of refined spirituality and jewel-like color even as Florentine artists were developing the naturalistic revolution of the Early Renaissance.

Technical Analysis

The urban setting is rendered with Sassetta's careful attention to architectural detail, the crowd gathered around the execution creating a narrative scene of vivid social observation painted in his characteristic luminous palette.

See It In Person

National Gallery of Victoria

Melbourne, Australia

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
24.6 × 38.7 cm
Era
Early Renaissance
Style
Early Renaissance
Genre
History
Location
National Gallery of Victoria, Melbourne
View on museum website →

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Madonna and Child with Angels, St. Peter, St. John The Baptist, St. Paul and St. Francis: The Story of the founding of the Basilica of Santa Maria Maggiore in Rome by Sassetta

Madonna and Child with Angels, St. Peter, St. John The Baptist, St. Paul and St. Francis: The Story of the founding of the Basilica of Santa Maria Maggiore in Rome

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