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The Funeral of Saint Francis by Sassetta

The Funeral of Saint Francis

Sassetta·1440

Historical Context

The Funeral of Saint Francis, in the National Gallery London, was part of Sassetta's great polyptych altarpiece for the church of San Francesco in Sansepolcro, completed around 1444. The altarpiece depicted eight scenes from the life of Francis of Assisi on its back panels, and the Funeral is among the most narratively compelling: the saint's body lies in state while friars, clergy, and laypeople gather to pay homage. Sassetta's Sienese roots gave him access to a tradition of devotional narrative painting that maintained Byzantine elegance while incorporating measured spatial depth.

Technical Analysis

The architectural space—a colonnade enclosing the body and mourners—is rendered in Sassetta's characteristic shallow perspective that creates a stage-like setting rather than full illusionistic depth. The figures are individualized by expression and gesture while maintaining the decorative line quality of the Sienese tradition, their draperies described in thin, precise egg tempera strokes.

See It In Person

National Gallery

London, United Kingdom

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
88.4 × 53.5 cm
Era
Early Renaissance
Style
Early Renaissance
Genre
Religious
Location
National Gallery, London
View on museum website →

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Madonna and Child with Angels, St. Peter, St. John The Baptist, St. Paul and St. Francis: The Story of the founding of the Basilica of Santa Maria Maggiore in Rome by Sassetta

Madonna and Child with Angels, St. Peter, St. John The Baptist, St. Paul and St. Francis: The Story of the founding of the Basilica of Santa Maria Maggiore in Rome

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