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The Dead Christ by Ercole de' Roberti

The Dead Christ

Ercole de' Roberti·1490

Historical Context

The Dead Christ, in the National Gallery London, shows the body of the crucified Christ laid out for mourning—a devotional subject known as the Imago Pietatis—with the figures of the Virgin and Saint John arranged in lamentation. Ercole de' Roberti's handling of this subject shows his ability to concentrate psychological intensity in the precise description of physical loss: Christ's dead body is rendered with a specificity of posture and weight that makes the theological claim about the Incarnation's full reality physically manifest.

Technical Analysis

The horizontal Christ figure is placed at the center, his body described with careful anatomical precision that makes the reality of death—limpness, weight, stillness—tangible. The surrounding mourners are rendered in Roberti's distinctive taut, linear style, their grief expressed through posture and facial expression rather than theatrical gesture.

See It In Person

National Gallery

London, United Kingdom

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
17.8 × 13.5 cm
Era
High Renaissance
Style
High Renaissance
Genre
Religious
Location
National Gallery, London
View on museum website →

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Virgin and Child by Ercole de'Roberti

Virgin and Child

Ercole de'Roberti·1490–96

Giovanni II Bentivoglio by Ercole de' Roberti

Giovanni II Bentivoglio

Ercole de' Roberti·c. 1474/1477

Ginevra Bentivoglio by Ercole de' Roberti

Ginevra Bentivoglio

Ercole de' Roberti·c. 1474/1477

The Wife of Hasdrubal and Her Children by Ercole de' Roberti

The Wife of Hasdrubal and Her Children

Ercole de' Roberti·c. 1490/1493

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Head of Saint John the Baptist on a Charger by Aelbert Bouts

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Virgin and Child with the Young Saint John the Baptist by Antonio da Correggio

Virgin and Child with the Young Saint John the Baptist

Antonio da Correggio·c. 1515