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The Annunciation: The Angel Gabriel by Defendente Ferrari

The Annunciation: The Angel Gabriel

Defendente Ferrari·1508

Historical Context

Gaudenzio Ferrari painted this Angel Gabriel of the Annunciation in 1508, the companion panel to his Virgin Annunciate. Ferrari was the leading painter of Piedmont and Lombardy, known for his dynamic, emotionally charged compositions. The separation of the Annunciation into two panels was a common format in Italian altarpiece design. The tempera medium required careful preparation on a gessoed panel and a disciplined layering technique that produced precise, durable surfaces suited to the intricate detail expected of devotional painting.

Technical Analysis

Oil on panel with Ferrari's characteristic warm palette and dynamic figure painting. The angel's animated pose and flowing drapery demonstrate the energetic style that distinguished Ferrari from more static contemporaries.

See It In Person

National Gallery

London, United Kingdom

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
58.4 × 58.4 cm
Era
High Renaissance
Style
High Renaissance
Genre
Religious
Location
National Gallery, London
View on museum website →

More by Defendente Ferrari

Saints John the Evangelist and Lawrence by Defendente Ferrari

Saints John the Evangelist and Lawrence

Defendente Ferrari·1510

The Annunciation: The Virgin Mary by Defendente Ferrari

The Annunciation: The Virgin Mary

Defendente Ferrari·1508

The Adoration of the Christ Child by Defendente Ferrari

The Adoration of the Christ Child

Defendente Ferrari·1500

Déposition de croix by Defendente Ferrari

Déposition de croix

Defendente Ferrari·1506

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Head of Saint John the Baptist on a Charger by Aelbert Bouts

Head of Saint John the Baptist on a Charger

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Lucrezia di Lippo di Iacopo Guidi

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Domenico da Gambassi

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Virgin and Child with the Young Saint John the Baptist by Antonio da Correggio

Virgin and Child with the Young Saint John the Baptist

Antonio da Correggio·c. 1515