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Personification of the Jewish Religion (Synagoga) by Master of the Bruges Legend of St. Ursula

Personification of the Jewish Religion (Synagoga)

Master of the Bruges Legend of St. Ursula·1482

Historical Context

Synagoga — the personification of the Jewish religion as a blindfolded or crown-falling woman — was a standard figure in medieval Christian visual theology, typically paired with Ecclesia (the Church) as her triumphant counterpart. The presence of this theologically pointed personification in the St. Ursula altarpiece ensemble suggests a broader programme connecting Ursula's legend to questions of religious identity and supersession. These allegorical figures derived from Romanesque and Gothic cathedral sculpture and were adapted into panel painting in the fifteenth century.

Technical Analysis

Synagoga's traditional attributes — a falling crown, a broken lance, a covered or blindfolded face — are rendered with the same technical precision as narrative or devotional subjects, even as their meaning is doctrinally programmatic.

See It In Person

Groeningemuseum

Bruges, Belgium

Visit museum website →

Quick Facts

Medium
Oil on panel
Dimensions
47.5 × 30 cm
Era
Early Renaissance
Style
Early Netherlandish
Genre
Religious
Location
Groeningemuseum, Bruges
View on museum website →

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Inner left wing of a triptych with the donor, his two sons and St John the Evangelist

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Virgin and Child and two angels by Master of the Bruges Legend of St. Ursula

Virgin and Child and two angels

Master of the Bruges Legend of St. Ursula·1487

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