
Triptych of the Last Supper
Historical Context
The Triptych of the Last Supper by the Master of the Legend of Saint Catherine, held in a Bruges seminary, depicts Christ's final meal with his disciples — the institution of the Eucharist and the revelation of betrayal — as the central image of an altarpiece program. The anonymous master, named for a series of panels depicting Catherine's life, was a significant Bruges painter of the 1480s and 1490s whose works survive in Flemish churches and collections. The Last Supper, embedded in a triptych format with flanking panels, reflects the Flemish tradition of placing the Eucharistic institution narrative at the center of ecclesiastical devotional programs.
Technical Analysis
The Last Supper follows the established format with Christ at center of the long table, Judas identifiable by his gold bag or turned position, John resting on Christ's shoulder. The Flemish master renders the table setting and varied apostle types with characteristic attention to material specificity and individual expression.
See It In Person
More by Master of the Legend of Saint Catherine

Saint Michael; The Mass of Saint Gregory; Saint Jerome
Master of the Legend of Saint Catherine·1490

Scenes from the Life of Job (recto); Mary Magdalene and Job (verso)
Master of the Legend of Saint Catherine·1485
.jpg&width=600)
Job and his family in former wealth at a meal, surrounded by other scenes from his story (Job) with a portrait of Gentina Solaro
Master of the Legend of Saint Catherine·1485
Episodes from the life of Saint Catherine
Master of the Legend of Saint Catherine·1487



