The Trinity
Jusepe de Ribera·1635
Historical Context
The Trinity at the Prado, painted in 1635, depicts the three persons of the Godhead united after the Crucifixion. Ribera brings his characteristic naturalistic treatment to this most theological of subjects. Ribera's technique combined meticulous drawing from life with bold Caravaggesque chiaroscuro, applied in oil on canvas using impastoed highlights over transparent warm-toned grounds. His Neapolitan workshop produced works for Spanish viceroys, Italian nobles, and religious institutions ac...
Technical Analysis
The dead Christ supported by God the Father with the dove of the Holy Spirit creates a vertical Trinitarian composition. Ribera's naturalistic treatment of Christ's body contrasts with the divine radiance.
