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Portrait of Auguste François Talma by Jean Auguste Dominique Ingres

Portrait of Auguste François Talma

Jean Auguste Dominique Ingres·1805

Historical Context

This Portrait of Auguste Francois Talma from 1805 at the Louvre shows Ingres at the very beginning of his career in Rome. The sitter was related to the famous actor Talma, and the portrait reflects the network of French expatriates who provided Ingres with his early commissions. Ingres built his oil surfaces through meticulous underdrawing in graphite, then applied smooth, controlled layers that eliminated all visible brushwork—a deliberate rejection of the painterly Romantic style of Delacroix.

Technical Analysis

The early portrait already shows Ingres's accomplished draftsmanship and refined surface handling. The careful modeling of the face and precise rendering of costume details demonstrate his portrait skills.

See It In Person

Department of Paintings of the Louvre

Paris, France

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
46 × 37 cm
Era
Neoclassicism
Style
French Neoclassicism
Genre
Portrait
Location
Department of Paintings of the Louvre, Paris
View on museum website →

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Amédée-David, the Comte de Pastoret by Jean Auguste Dominique Ingres

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Jean Auguste Dominique Ingres·1823–26

Portrait of Luigi Edouardo Rossi, Count Pellegrino by Follower of Jean Auguste Dominique Ingres

Portrait of Luigi Edouardo Rossi, Count Pellegrino

Follower of Jean Auguste Dominique Ingres·c. 1820

Joseph-Antoine Moltedo (born 1775) by Jean Auguste Dominique Ingres

Joseph-Antoine Moltedo (born 1775)

Jean Auguste Dominique Ingres·ca. 1810

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