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Teile eines Altares: Martyrium des hl. Sebastian by Hans Fries

Teile eines Altares: Martyrium des hl. Sebastian

Hans Fries·1501

Historical Context

Hans Fries painted this Martyrdom of Saint Sebastian as part of an altarpiece around 1501 in Fribourg, Switzerland. Sebastian's martyrdom by arrows was one of the most frequently depicted scenes in European art. Fries's Swiss-German style brings particular intensity to the suffering saint. The tempera medium required careful preparation on a gessoed panel and a disciplined layering technique that produced precise, durable surfaces suited to the intricate detail expected of devotional painting. Such devotional panels served both liturgical contexts in churches and chapels and private devotional use in the homes of wealthy families who maintained personal altars and oratories.

Technical Analysis

Oil on panel with Fries's vivid Swiss-German coloring and expressive figure painting. The arrows piercing the saint's body are rendered with the graphic detail characteristic of Fries's dramatic approach.

See It In Person

Bavarian State Painting Collections

Munich, Germany

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
64.2 × 37.4 cm
Era
High Renaissance
Style
High Renaissance
Genre
Religious
Location
Bavarian State Painting Collections, Munich
View on museum website →

More by Hans Fries

Anbetung der Heiligen Drei Könige by Hans Fries

Anbetung der Heiligen Drei Könige

Hans Fries·1490

Gerichtsaltar: Auferstehung der Seligen by Hans Fries

Gerichtsaltar: Auferstehung der Seligen

Hans Fries·1501

Gerichtsaltar: Höllensturz der Verdammten by Hans Fries

Gerichtsaltar: Höllensturz der Verdammten

Hans Fries·1501

Teile eines Altares: Hl. Anna Selbdritt by Hans Fries

Teile eines Altares: Hl. Anna Selbdritt

Hans Fries·1501

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