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The Death of Leonardo da Vinci by Jean-Auguste-Dominique Ingres

The Death of Leonardo da Vinci

Jean-Auguste-Dominique Ingres·1818

Historical Context

Ingres's The Death of Leonardo da Vinci of 1818 depicts the legendary account that the dying Leonardo expired in the arms of François I, the French king who had invited the artist to Amboise. The historical anecdote — possibly apocryphal — allowed Ingres to meditate on the relationship between artistic genius and royal patronage, themes that resonated with his own experience as a French artist dependent on state commissions. The painting also serves as a tribute to Leonardo as the supreme embodiment of the Renaissance ideal that Ingres himself claimed to perpetuate against the disorder of Romanticism.

Technical Analysis

Ingres's meticulous technique renders the Renaissance costumes and the deathbed scene with his characteristic precision. The controlled emotion and the careful historical detail create a painting that combines neoclassical finish with Romantic sentiment.

See It In Person

Musée des Beaux-Arts de la ville de Paris

Paris, France

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Quick Facts

Medium
Oil paint
Dimensions
40 × 81.5 cm
Era
Neoclassicism
Style
French Neoclassicism
Genre
History
Location
Musée des Beaux-Arts de la ville de Paris, Paris
View on museum website →

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Portrait of Luigi Edouardo Rossi, Count Pellegrino by Follower of Jean Auguste Dominique Ingres

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Joseph-Antoine Moltedo (born 1775) by Jean Auguste Dominique Ingres

Joseph-Antoine Moltedo (born 1775)

Jean Auguste Dominique Ingres·ca. 1810

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