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Deposition of Christ by Girolamo Romanino

Deposition of Christ

Girolamo Romanino·1520

Historical Context

Girolamo Romanino painted this Deposition of Christ around 1520, bringing his powerful Brescian color and figure style to one of the Passion's most emotionally demanding subjects. Romanino's Deposition compositions are among his most intensely expressive works—the heavy, draped body of Christ lowered from the cross, the mourning figures arranged with physical weight and emotional gravity that distinguishes the Brescian school from more elegant northern Italian approaches. His characteristic palette of deep reds and warm shadows creates an atmosphere of physical and spiritual weight that makes the Deposition's grief almost tactile. Working in the tradition established by Titian and Giorgione while maintaining Brescia's own robust figure style, Romanino created devotional images of exceptional power.

Technical Analysis

The panel shows Romanino's bold technique with vigorous brushwork, dramatic lighting, and the intense physicality that makes his Passion paintings among the most emotionally immediate in Italian art.

See It In Person

Gemäldegalerie Berlin

Berlin, Germany

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
185 × 182 cm
Era
High Renaissance
Style
High Renaissance
Genre
Religious
Location
Gemäldegalerie Berlin, Berlin
View on museum website →

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The Flagellation; (reverse) The Madonna of Mercy by Girolamo Romanino

The Flagellation; (reverse) The Madonna of Mercy

Girolamo Romanino·ca. 1540

Madonna and Child by Girolamo Romanino

Madonna and Child

Girolamo Romanino·1507

Madonna and Saints by Girolamo Romanino

Madonna and Saints

Girolamo Romanino·1517

Madonna with child by Girolamo Romanino

Madonna with child

Girolamo Romanino·1516

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