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Brutus, Lucretia and Collatinus by Gian-Francesco de Maineri

Brutus, Lucretia and Collatinus

Gian-Francesco de Maineri·1490

Historical Context

Gian-Francesco de Maineri created this work around 1490, now in the Galleria Estense. The painting reflects the artistic culture of the High Renaissance, when European painters were achieving a synthesis of technical mastery and compositional sophistication that defined the period's highest achievements. This work belongs to the High Renaissance, when the innovations of the preceding century were synthesized into works of monumental clarity and ideal beauty. The period's defining aesthetic — balanced composition, idealized figures, unified atmospheric space — was developed above all in Florence and Rome before spreading across Italy and Europe.

Technical Analysis

Accomplished tempera technique is evident in the smooth modeling of forms and the controlled color harmonies, with the composition following the spatial principles developed by fifteenth-century Italian workshops.

See It In Person

Galleria Estense

Modena, Italy

Visit museum website →

Quick Facts

Medium
Tempera on panel
Dimensions
47 × 30 cm
Era
High Renaissance
Style
High Renaissance
Genre
Mythology
Location
Galleria Estense, Modena
View on museum website →

More by Gian-Francesco de Maineri

The Birth of Christ by Gian-Francesco de Maineri

The Birth of Christ

Gian-Francesco de Maineri·1497

Holy Family by Gian-Francesco de Maineri

Holy Family

Gian-Francesco de Maineri·1489

san sebastiano alla colonna by Gian-Francesco de Maineri

san sebastiano alla colonna

Gian-Francesco de Maineri·1492

Christ carrying the cross by Gian-Francesco de Maineri

Christ carrying the cross

Gian-Francesco de Maineri·1500

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Head of Saint John the Baptist on a Charger

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Lucrezia di Lippo di Iacopo Guidi

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Domenico da Gambassi

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Virgin and Child with the Young Saint John the Baptist by Antonio da Correggio

Virgin and Child with the Young Saint John the Baptist

Antonio da Correggio·c. 1515