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Polyptych by Francesco Napoletano

Polyptych

Francesco Napoletano·1495

Historical Context

Francesco Napoletano's Polyptych, painted around 1495 and now in the Tosio Martinengo Gallery in Brescia, is by a Lombard painter whose epithet 'Napoletano' may indicate Neapolitan origin or training, though he worked primarily in Brescia and the Lombard region. Brescian painting of the 1490s occupied a fascinating position: rooted in the Veneto tradition through the city's long connection with Venice, but increasingly exposed to the Leonardesque innovations filtering north from Milan. The Tosio Martinengo's collection provides the essential Brescian context for understanding the transitional style of this polyptych.

Technical Analysis

Tempera and oil on panel in a multi-panel polyptych format. The style reflects the Veneto-Lombard synthesis of Brescian painting — figures with Venetian three-dimensional presence combined with softer tonal modeling from Lombard Leonardesque influence.

See It In Person

Tosio Martinengo Gallery

Brescia, Italy

Visit museum website →

Quick Facts

Medium
Tempera on panel
Era
High Renaissance
Style
High Renaissance
Genre
Religious
Location
Tosio Martinengo Gallery, Brescia
View on museum website →

More by Francesco Napoletano

Madonna Lia by Francesco Napoletano

Madonna Lia

Francesco Napoletano·1495

Madonna and Child by Francesco Napoletano

Madonna and Child

Francesco Napoletano·1485

An Angel in Green with a Vielle by Francesco Napoletano

An Angel in Green with a Vielle

Francesco Napoletano·1490

Maria mit Kind by Francesco Napoletano

Maria mit Kind

Francesco Napoletano·1497

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Virgin and Child with the Young Saint John the Baptist by Antonio da Correggio

Virgin and Child with the Young Saint John the Baptist

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