Saint Judas Thaddaeus
Jusepe de Ribera·1630
Historical Context
Saint Judas Thaddaeus by Ribera, at the Prado, continues the apostle series with another individualized portrait-like treatment. Judas Thaddaeus — not to be confused with Judas Iscariot — was traditionally depicted with his attribute of a club or halberd. Ribera painted his saints with unflinching naturalism rooted in his early study of Caravaggio's Rome before settling in Naples in 1616. Working under Spanish viceregal patronage, he produced devotional images combining brutal physical realis...
Technical Analysis
The apostle's face is rendered with the creased, weatherbeaten specificity that Ribera applied to all his saints. The strong single-source lighting creates deep shadows in the eye sockets and beneath the nose, giving the face a powerful three-dimensional presence.






