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A Sybil by Angelica Kauffmann

A Sybil

Angelica Kauffmann·1775

Historical Context

A Sibyl depicts one of the ancient female prophets who were frequently represented in both Renaissance and neoclassical art. Kauffmann’s treatment of sibylline subjects allowed her to paint powerful female figures within the accepted classical tradition, combining prophetic gravitas with feminine beauty. Characteristic of the artist's mature approach, the work displays graceful, decorative Neoclassicism combining classical subject matter with a lyrical sweetness, soft color, elegant figure types, pendant portraits and mythological scenes.

Technical Analysis

The sibyl is rendered with the upward gaze and dramatic drapery conventional for prophetic figures. Kauffmann’s refined technique creates an image of feminine authority and inspired wisdom.

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Quick Facts

Medium
Oil paint
Dimensions
125.1 × 94 cm
Era
Neoclassicism
Style
German Neoclassicism
Genre
Mythology
Location
,
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Mrs. Hugh Morgan and Her Daughter by Angelica Kauffmann

Mrs. Hugh Morgan and Her Daughter

Angelica Kauffmann·c. 1771

The Sorrow of Telemachus by Angelica Kauffmann

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Angelica Kauffmann·1783

Telemachus and the Nymphs of Calypso by Angelica Kauffmann

Telemachus and the Nymphs of Calypso

Angelica Kauffmann·1782

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851) by Angelica Kauffmann

Edward Smith Stanley (1752–1834), Twelfth Earl of Derby, Elizabeth, Countess of Derby (Lady Elizabeth Hamilton, 1753–1797), and Their Son (Edward Smith Stanley, 1775–1851)

Angelica Kauffmann·ca. 1776

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