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The Procession to Calvary by Sassetta

The Procession to Calvary

Sassetta·1441

Historical Context

The Procession to Calvary, at the Detroit Institute of Arts, depicts Christ bearing the cross on his way to the site of his execution—a subject at the intersection of narrative and devotional painting that demanded both narrative clarity and emotional power. Sassetta painted this panel around 1441 as part of the Sansepolcro polyptych, in which it formed part of the comprehensive account of Christ's Passion. Detroit acquired this work as part of its significant early Italian collection assembled in the early twentieth century.

Technical Analysis

Christ is shown carrying the cross in the company of soldiers and mourning women, the procession moving from left to right toward the upper portion where Jerusalem's walls are indicated. Sassetta's figure groupings have the processional quality of Sienese narrative painting, with clearly differentiated costumes and gestures guiding the viewer's reading of the story.

See It In Person

Detroit Institute of Arts

Detroit, United States

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Quick Facts

Medium
Tempera on panel
Era
Early Renaissance
Style
Early Renaissance
Genre
Religious
Location
Detroit Institute of Arts, Detroit
View on museum website →

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Mystic Marriage of Saint Francis by Sassetta

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Madonna and Child with Angels, St. Peter, St. John The Baptist, St. Paul and St. Francis: The Story of the founding of the Basilica of Santa Maria Maggiore in Rome by Sassetta

Madonna and Child with Angels, St. Peter, St. John The Baptist, St. Paul and St. Francis: The Story of the founding of the Basilica of Santa Maria Maggiore in Rome

Sassetta·1430

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Cosimo Tura·1475/1500

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Giovanni Bellini·16th century or later

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Antonello da Messina (Antonello di Giovanni d'Antonio)·1450

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil by Antonio Vivarini

Saint Peter Martyr Exorcizing a Woman Possessed by a Devil

Antonio Vivarini·c. 1450