Coronation of the Virgin
Allegretto Nuzi·1360
Historical Context
Allegretto Nuzi's Coronation of the Virgin (c. 1360) exemplifies the lavish devotional painting produced in the Marche region of central Italy during the second half of the Trecento. Nuzi, the foremost painter of Fabriano, created altarpieces of extraordinary decorative richness that synthesized influences from Florence, Siena, and the Adriatic cultural sphere. The Coronation of the Virgin was a triumphant subject that emphasized Mary's heavenly glory, particularly popular in Franciscan commissions.
Technical Analysis
Tempera and gold on panel with abundant punchwork decoration. Nuzi's composition features the enthroned Christ crowning the Virgin amid a celestial court, rendered in brilliant saturated colors and set against an elaborately tooled gold ground that creates a shimmering, transcendent effect.
See It In Person
More by Allegretto Nuzi
Madonna and Child with Saint Mary Magdalene, Saint John the Evangelist, Saint Bartholomew and Saint Venantius
Allegretto Nuzi·1400
Virgin and Child, with Saints Mary Magdalene, James Major, Stephen, and a Bishop Saint
Allegretto Nuzi·1346
Crucifixion with the Virgin Mary, St. John the Evangelist, and St. Mary Magdalene
Allegretto Nuzi·1365
The Crucifixion
Allegretto Nuzi·1350
