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Annunciation with Donors and Saints by Bicci di Lorenzo by Lorenzo di Bicci

Annunciation with Donors and Saints by Bicci di Lorenzo

Lorenzo di Bicci·1420

Historical Context

Lorenzo di Bicci's treatment of this sacred subject in 1420 exemplifies the fifteenth-century approach to sacred subjects, balancing theological orthodoxy with artistic innovation. Painted in the early fifteenth century, a transformative period in European art, the work draws on centuries of iconographic tradition while expressing Lorenzo di Bicci's individual interpretation of the divine narrative. The early fifteenth century saw the emergence of linear perspective in Italy and the perfection of oil painting technique in Flanders, transforming the visual arts across Europe.

Technical Analysis

Tempera technique, reflecting earlier traditions, the religious composition demonstrates Lorenzo di Bicci's skilled technique and careful observation in service of sacred narrative. The figural arrangement draws on established iconographic tradition while the handling of light and color creates emotional resonance.

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Cenacolo di Fuligno

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Quick Facts

Medium
Tempera on panel
Era
Early Renaissance
Style
Early Renaissance
Genre
Religious
Location
Cenacolo di Fuligno,
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Saint Ursula by Lorenzo di Bicci

Saint Ursula

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Madonna and Child with the Holy Trinity and the Annunciation; Anonymous Martyr Saint; Resurrection; "Noli me tangere" by Lorenzo di Bicci

Madonna and Child with the Holy Trinity and the Annunciation; Anonymous Martyr Saint; Resurrection; "Noli me tangere"

Lorenzo di Bicci·1400

Painted crucifix by Lorenzo di Bicci by Lorenzo di Bicci

Painted crucifix by Lorenzo di Bicci

Lorenzo di Bicci·1450

Madonna and Child with Angels by Lorenzo di Bicci

Madonna and Child with Angels

Lorenzo di Bicci·1350

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