Madonna and Child with the Holy Trinity and the Annunciation; Anonymous Martyr Saint; Resurrection; "Noli me tangere"

Painted around 1400 , this devotional work by Lorenzo di Bicci demonstrates the enduring importance of religious painting in the Early Renaissance. Lorenzo di Bicci brings distinctive artistic vision to the sacred narrative, creating a work that served both devotional and artistic purposes in fourteenth-century European culture. In this period, the patronage of wealthy merchants, guilds, and religious orders drove an unprecedented demand for panel paintings, altarpieces, and fresco cycles across Europe.

The devotional work is executed with skilled technique, reflecting Lorenzo di Bicci's engagement with the demands of religious painting. The composition balances narrative clarity with spiritual atmosphere, using careful observation to heighten the sacred drama.