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Lady Hamilton (1761–1815), as a Bacchante by Élisabeth Louise Vigée Le Brun

Lady Hamilton (1761–1815), as a Bacchante

Élisabeth Louise Vigée Le Brun·1790

Historical Context

Vigée Le Brun painted Lady Hamilton as a Bacchante around 1790, depicting Emma Hamilton — later famous as Nelson's mistress — in one of the mythological poses that was her professional specialty as a 'attitudes' performer. Hamilton had become celebrated in Naples for her performances of classical poses drawn from ancient sculpture and vase painting, and Vigée Le Brun's portrait memorializes this theatrical skill within the formal portrait tradition. The Bacchante costume — loose drapery, garland of vines — allows for a relaxed sensuousness that contrasts with the more formal portraits of aristocratic women that dominated Vigée Le Brun's practice.

Technical Analysis

Vigée Le Brun renders Hamilton with windswept hair and flowing drapery that evoke classical statuary in motion. The warm palette and energetic brushwork capture the famous vivacity of the sitter's theatrical personality.

See It In Person

Lady Lever Art Gallery

Liverpool, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
132.5 × 105.5 cm
Era
Neoclassicism
Style
French Neoclassicism
Genre
Portrait
Location
Lady Lever Art Gallery, Liverpool
View on museum website →

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The Marquise de Pezay, and the Marquise de Rougé with Her Sons Alexis and Adrien by Élisabeth-Louise Vigée Le Brun

The Marquise de Pezay, and the Marquise de Rougé with Her Sons Alexis and Adrien

Élisabeth-Louise Vigée Le Brun·1787

Madame du Barry by Élisabeth Louise Vigée Le Brun

Madame du Barry

Élisabeth Louise Vigée Le Brun·1782

Marie Antoinette with a Rose by Élisabeth Louise Vigée Le Brun

Marie Antoinette with a Rose

Élisabeth Louise Vigée Le Brun·1783

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