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A Hungarian Hussar by Luca Carlevarijs

A Hungarian Hussar

Luca Carlevarijs·ca. 1700-ca. 1710

Historical Context

This study of a Hungarian Hussar, drawn around 1700-1710, documents one of the foreign military types visible in Venice during the War of the Spanish Succession period. Venice in the early eighteenth century remained a cosmopolitan city despite its declining political power — soldiers, merchants, diplomats, and travelers from across Europe and the Ottoman world moved through its streets, creating the ethnic and social diversity that made it one of the most visually rich cities in Europe. Carlevarijs documented foreign figures alongside Venetian locals as part of his comprehensive visual record of the city's human panorama, ensuring that his vedute captured the international character of Venice rather than presenting it as a purely Italian city.

Technical Analysis

The Hussar's distinctive uniform — with its frogging, fur-trimmed pelisse, and tight breeches — is rendered with attention to its exotic details. The military posture and costume create a visually striking figure that would stand out in a veduta composition.

See It In Person

Victoria and Albert Museum

London, United Kingdom

Gallery: Prints & Drawings Study Room, level H

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Rococo
Style
Venetian Rococo
Genre
History
Location
Victoria and Albert Museum, London
Gallery
Prints & Drawings Study Room, level H
View on museum website →

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A lady seen from behind by Luca Carlevarijs

A lady seen from behind

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A Lady Seen in Profile by Luca Carlevarijs

A Lady Seen in Profile

Luca Carlevarijs·ca. 1700-ca. 1710

A Gondola by Luca Carlevarijs

A Gondola

Luca Carlevarijs·ca. 1700-ca. 1710

A Gondola: End View by Luca Carlevarijs

A Gondola: End View

Luca Carlevarijs·ca. 1700-ca. 1710

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