_-_Two_Costume_Studies_-_P.36-1938_-_Victoria_and_Albert_Museum.jpg&width=1200)
Two Costume Studies
Luca Carlevarijs·ca. 1700-ca. 1710
Historical Context
This double costume study by Carlevarijs, drawn around 1700-1710, documents two different outfits from early eighteenth-century Venetian life, adding to his comprehensive visual archive of the city's social world. As a veduta painter whose large canvases depicted Venice's ceremonial and everyday life, Carlevarijs maintained extensive sketchbooks of figures, costumes, and architectural details that he assembled into his finished compositions. Two figures in the same study allowed comparison of different social types, costumes, or contexts — a practice that reflects the systematic approach of a painter who treated his subject with documentary seriousness as much as aesthetic ambition.
Technical Analysis
Two costume studies are placed side by side for comparison, with attention to the different cuts, colors, and textures of each outfit. The brushwork prioritizes the distinctive characteristics of each garment over anatomical detail.
See It In Person
Victoria and Albert Museum
London, United Kingdom
Gallery: Prints & Drawings Study Room, level H
Visit museum website →_-_A_Lady_Seen_from_Behind_-_P.70-1938_-_Victoria_and_Albert_Museum.jpg&width=400)
_-_A_Lady_Seen_in_Profile_-_P.75-1938_-_Victoria_and_Albert_Museum.jpg&width=400)
_-_A_Gondola_-_P.28-1938_-_Victoria_and_Albert_Museum.jpg&width=400)
_-_A_Gondola%2C_End_View_-_P.26-1938_-_Victoria_and_Albert_Museum.jpg&width=400)



