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A Man Wearing a Red Coat by Luca Carlevarijs

A Man Wearing a Red Coat

Luca Carlevarijs·1705

Historical Context

A Man Wearing a Red Coat at the Victoria and Albert Museum is another of Carlevarijs' figure studies used as staffage in his architectural views. The vivid red coat would have provided a colorful accent in larger compositions. Carlevarijs documented Venice in oil on canvas with architectural precision drawn partly from his own engravings, staffing his panoramic views with animated crowds of merchants, tourists, and gondoliers rendered in small, fluid strokes.

Technical Analysis

The figure's red coat creates a strong color note, rendered with attention to fabric and posture. These staffage studies reveal Carlevarijs' systematic approach to composing his vedute.

See It In Person

Victoria and Albert Museum

London, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
19.2 × 9 cm
Era
Rococo
Style
Venetian Rococo
Genre
Portrait
Location
Victoria and Albert Museum, London
View on museum website →

More by Luca Carlevarijs

A lady seen from behind by Luca Carlevarijs

A lady seen from behind

Luca Carlevarijs·ca. 1700-ca. 1710

A Lady Seen in Profile by Luca Carlevarijs

A Lady Seen in Profile

Luca Carlevarijs·ca. 1700-ca. 1710

A Gondola by Luca Carlevarijs

A Gondola

Luca Carlevarijs·ca. 1700-ca. 1710

A Gondola: End View by Luca Carlevarijs

A Gondola: End View

Luca Carlevarijs·ca. 1700-ca. 1710

More from the Rococo Period

Annunciation to the Shepherds by Jacopo Bassano

Annunciation to the Shepherds

Jacopo Bassano·c. 1710

The Madonna with the Seven Founders of the Servite Order by Agostino Masucci

The Madonna with the Seven Founders of the Servite Order

Agostino Masucci·c. 1728

Theodosius Repulsed from the Church by Saint Ambrose by Alessandro Magnasco

Theodosius Repulsed from the Church by Saint Ambrose

Alessandro Magnasco·c. 1705

Arcadian Landscape with Figures by Alessandro Magnasco

Arcadian Landscape with Figures

Alessandro Magnasco·c. 1700