
The Crucifixion
Bernhard Strigel·1528
Historical Context
Bernhard Strigel's Crucifixion belongs to his production of Passion scenes for Swabian and Habsburg patrons and demonstrates his ability to organize the complex multi-figure Calvary composition with the formal clarity expected of court art. The three crosses, the mourning figures below, and the soldiers dividing Christ's garments are arranged with the compositional balance that Strigel maintained across his religious works, while the individual figures' emotional responses — grief, indifference, mockery — provide the psychological variety that made such works effective devotional objects.
Technical Analysis
The Crucifixion composition follows established iconographic conventions while reflecting the artist's distinctive approach to the central subject of Christian art.

![Hans Roth [obverse] by Bernhard Strigel](https://commons.wikimedia.org/w/index.php?title=Special:Redirect/file/Bernhard_Strigel_Bildnis_Hans_Rott_1527.jpg&width=600)
![Hans Roth [reverse] by Bernhard Strigel](https://commons.wikimedia.org/w/index.php?title=Special:Redirect/file/Bernhard_Strigel_-_Hans_Roth_(reverse)_-_1947.6.4.b_-_National_Gallery_of_Art.jpg&width=600)
![Margarethe Vöhlin [obverse] by Bernhard Strigel](https://commons.wikimedia.org/w/index.php?title=Special:Redirect/file/Bernhard_Strigel_Bildnis_Margarethe_Rott_geb_V%C3%B6hlin_1527.jpg&width=600)



