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The Entry Into Jerusalem by Bernhard Strigel

The Entry Into Jerusalem

Bernhard Strigel·1500

Historical Context

Bernhard Strigel painted this Entry into Jerusalem around 1500 as part of his Walters Art Museum Passion cycle. Christ's triumphal entry on Palm Sunday marks the beginning of the Passion narrative. Strigel depicted the scene with the townspeople laying garments and palms before the donkey, following the Gospel accounts. The oil medium allowed for rich tonal transitions and glazed layers of color that created luminous depth impossible with the older tempera technique. The Northern Renaissance tradition that shaped this work prized meticulous surface observation, emotional directness, and the symbolic integration of everyday objects into sacred narratives.

Technical Analysis

Oil on panel with Strigel's bright Swabian palette and clear narrative staging. The city gate and crowd of onlookers are rendered with descriptive detail within a compact compositional format.

See It In Person

Walters Art Museum

Baltimore, United States

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Quick Facts

Medium
Oil on panel
Era
High Renaissance
Style
Northern Renaissance
Genre
History
Location
Walters Art Museum, Baltimore
View on museum website →

More by Bernhard Strigel

Portrait of a Woman by Bernhard Strigel

Portrait of a Woman

Bernhard Strigel·ca. 1510–15

Hans Roth [obverse] by Bernhard Strigel

Hans Roth [obverse]

Bernhard Strigel·1527

Hans Roth [reverse] by Bernhard Strigel

Hans Roth [reverse]

Bernhard Strigel·1527

Margarethe Vöhlin [obverse] by Bernhard Strigel

Margarethe Vöhlin [obverse]

Bernhard Strigel·1527

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Head of Saint John the Baptist on a Charger by Aelbert Bouts

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Virgin and Child with the Young Saint John the Baptist by Antonio da Correggio

Virgin and Child with the Young Saint John the Baptist

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