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The Bacino, Venice, with the Dogana and a Distant View of the Isola di San Giorgio by Luca Carlevarijs

The Bacino, Venice, with the Dogana and a Distant View of the Isola di San Giorgio

Luca Carlevarijs·1709

Historical Context

The Bacino with the Dogana and San Giorgio at the Metropolitan Museum, painted in 1709, captures Venice's great basin from a vantage near the Molo. The Dogana and distant San Giorgio Maggiore create the iconic Venetian vista. Carlevarijs documented Venice in oil on canvas with architectural precision drawn partly from his own engravings, staffing his panoramic views with animated crowds of merchants, tourists, and gondoliers rendered in small, fluid strokes.

Technical Analysis

The Dogana's triangular prow provides a compositional anchor in the foreground, with San Giorgio's classical facade visible across the basin. The water surface captures complex reflections.

See It In Person

Metropolitan Museum of Art

New York, United States

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
50.8 × 119.7 cm
Era
Rococo
Style
Venetian Rococo
Genre
Landscape
Location
Metropolitan Museum of Art, New York
View on museum website →

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A lady seen from behind by Luca Carlevarijs

A lady seen from behind

Luca Carlevarijs·ca. 1700-ca. 1710

A Lady Seen in Profile by Luca Carlevarijs

A Lady Seen in Profile

Luca Carlevarijs·ca. 1700-ca. 1710

A Gondola by Luca Carlevarijs

A Gondola

Luca Carlevarijs·ca. 1700-ca. 1710

A Gondola: End View by Luca Carlevarijs

A Gondola: End View

Luca Carlevarijs·ca. 1700-ca. 1710

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Theodosius Repulsed from the Church by Saint Ambrose by Alessandro Magnasco

Theodosius Repulsed from the Church by Saint Ambrose

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Arcadian Landscape with Figures

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