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Gig Upsetting at the Races by Philip James de Loutherbourg

Gig Upsetting at the Races

Philip James de Loutherbourg·1784

Historical Context

Gig Upsetting at the Races belongs to de Loutherbourg's body of sporting and accident subjects, which occupied a significant place in his output for English patrons who valued the sporting genre and the visual excitement of sudden incidents. A gig — a light two-wheeled carriage — overturning at the races would have been a familiar sight to Georgian English audiences who followed horse racing closely, and the subject combines the fashionable sporting scene with the kind of violent incident de Loutherbourg had explored more grandly in his ship-wreck and battle paintings.

Technical Analysis

Dynamic diagonal composition captures the moment of overturning — horse and vehicle at sharp angles, figures thrown or bracing. Warm ochres and reddish browns in the horses and earth contrast with a blue-grey sky.

See It In Person

Museum of Fine Arts Boston

Boston, United States

Visit museum website →

Quick Facts

Medium
Oil paint
Dimensions
132.1 × 183.5 cm
Era
Neoclassicism
Style
French Neoclassicism
Genre
Landscape
Location
Museum of Fine Arts Boston, Boston
View on museum website →

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A Sea piece by Philip James de Loutherbourg

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Landscape with figures and cattle by Philip James de Loutherbourg

Landscape with figures and cattle

Philip James de Loutherbourg·ca. 1760-1812

The Flood by Philip James de Loutherbourg

The Flood

Philip James de Loutherbourg·ca. 1700-1800

The Falls of the Rhine at Schaffhausen by Philip James de Loutherbourg

The Falls of the Rhine at Schaffhausen

Philip James de Loutherbourg·1788

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