
Mindelheim Altarpiece: Esmeria and Ephrem with their Childs
Bernhard Strigel·1505
Historical Context
Bernhard Strigel painted Esmeria and Ephrem with their children for the Mindelheim Altarpiece around 1505. The inclusion of these relatively obscure family members demonstrates the thorough genealogical ambition of the Holy Kinship program. Such extended family trees reflected contemporary interest in lineage and dynastic connection. The tempera medium required careful preparation on a gessoed panel and a disciplined layering technique that produced precise, durable surfaces suited to the intricate detail expected of devotional painting.
Technical Analysis
Oil on panel with consistent rendering in Strigel's formal family portrait mode. The careful individualization of each figure contributes to the documentary quality of the genealogical program.

![Hans Roth [obverse] by Bernhard Strigel](https://commons.wikimedia.org/w/index.php?title=Special:Redirect/file/Bernhard_Strigel_Bildnis_Hans_Rott_1527.jpg&width=600)
![Hans Roth [reverse] by Bernhard Strigel](https://commons.wikimedia.org/w/index.php?title=Special:Redirect/file/Bernhard_Strigel_-_Hans_Roth_(reverse)_-_1947.6.4.b_-_National_Gallery_of_Art.jpg&width=600)
![Margarethe Vöhlin [obverse] by Bernhard Strigel](https://commons.wikimedia.org/w/index.php?title=Special:Redirect/file/Bernhard_Strigel_Bildnis_Margarethe_Rott_geb_V%C3%B6hlin_1527.jpg&width=600)



