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Hampstead Heath, Summer by Philip James de Loutherbourg

Hampstead Heath, Summer

Philip James de Loutherbourg·1787

Historical Context

Hampstead Heath, Summer places de Loutherbourg on the same famous terrain that would later become central to John Constable's art, and where Gainsborough had also painted. Hampstead Heath was at the edge of London proper, a semi-wild open space of gorse, ponds, and sandy paths that provided a near-urban version of picturesque nature, accessible to Londoners without rural travel. De Loutherbourg's summer visit shows him responding to the Heath's particular combination of expansive sky and varied terrain in lighter, less dramatically charged mode than his Sublime landscapes.

Technical Analysis

The Heath's open terrain — sandy paths, gorse, expansive sky — is treated with a lighter, fresher palette than de Loutherbourg's dramatic storm or cavern subjects. Greens and ochres in the foreground vegetation lead to a broad middle ground under a luminous summer sky.

See It In Person

Birmingham Museums Trust

Birmingham, United Kingdom

Visit museum website →

Quick Facts

Medium
Oil on canvas
Era
Neoclassicism
Style
French Neoclassicism
Genre
Landscape
Location
Birmingham Museums Trust, Birmingham
View on museum website →

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A Sea piece by Philip James de Loutherbourg

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Landscape with figures and cattle by Philip James de Loutherbourg

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Philip James de Loutherbourg·ca. 1760-1812

The Flood by Philip James de Loutherbourg

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Philip James de Loutherbourg·ca. 1700-1800

The Falls of the Rhine at Schaffhausen by Philip James de Loutherbourg

The Falls of the Rhine at Schaffhausen

Philip James de Loutherbourg·1788

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